Category: Music Reviews

Posted on: October 7, 2019 Posted by: Sargeant Comments: 0

ck outlaw “Promnesia”

Promnesia is an interesting effort that equally blends rap, R&B, and pop styles. Perhaps the most fascinating side to ck outlaw’s latest single is how the performer is able to both tell a cogent story and add considerably to the overall harmonies achieved by the synth and percussive elements here. A bit of distortion separates the vocals from the aforementioned backing beats, making for a stark song that will resound…

Posted on: October 7, 2019 Posted by: Sargeant Comments: 1

Bencoolen “Beautiful Escape”

On their cover of Beautiful Escape, Bencoolen is able to create a warm, alluring effort that will finesse fans with luxurious synths, horns, and a coy set of vocals. The band’s ability to rise into bright, 1980s yacht rock-inspired sounds during their Beautiful Escape is unparalleled. By the time that one finishes this effort, they will be changed. The dynamism of the band’s instrumentation, the robustness of the song’s production,…

Posted on: October 4, 2019 Posted by: Sargeant Comments: 1

KiKi Wraye – ‘Addicted to the Beat’

KiKi Wraye is able to refresh the dance genre of the 1990s and early 2000s with her new single, Addicted to the Beat. With a high BPM and assertive synth line weaved through this effort, Wraye’s latest will indelibly tattoo its melodies onto listeners. With nods to Darude and Benny Benassi, Addicted to the Beat’s strongest suit has to be its ability to change tempo on a dime. Listeners cannot…

Posted on: October 3, 2019 Posted by: Kim Muncie Comments: 0

Jeremy Rice’s “Arriianne”

Like a wild wolf howling at the moon, the electric guitar that blasts a hole through the first ten seconds of Jeremy Rice’s “Arriianne” is intimidating, familiar and rife with intensity. The drums click into place and leave just enough space for the bassline to fill the background with warm tonality, and even before Rice starts serenading us with a punkish might, there’s a seditiousness to the undercurrent of percussion…

Posted on: October 3, 2019 Posted by: Sargeant Comments: 1

Casey Ahern – Just A Dance

During Just A Dance, Casey Ahern is able to weave a cogent narrative that will be appreciated by anyone that has thought something was there with an experience that ultimately didn’t go their way. Ahern is able to take the approach of modern country performers like early Taylor Swift or Maren Morris and imbue her latest single with an approach that is uniquely hers. The softly-sang vocals on Just A…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

JPRiZM – All Your Love

On All Your Love, JPRiZM is able to infuse sunny beaches and a bouncy disposition. The track is able to incorporate both EDM and 200s R&B in a fashion that is organic. The distinct sides of All Your Love are able to push the effort into an entirely higher plateau. Sweeping synths and vocals simultaneously further the narrative quality of the single while bolstering the effort’s arrangements. The presence of…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

Makes My Blood Dance “Sick As Our Secrets”

Sick As Our Secrets is the new single from Makes My Blood Dance, coming forth with a tremendously catchy set of lyrics. A funky bass lines, chugging guitar work, and on-point drumming unite to make this effort a perfect melange of CKY and Ratt. Sick As Our Secrets has everything needed to make it big on modern mainstream rock radio; the band is able to make an effort here that…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

Like Machines “Run, Hide”

Run, Hide has Like Machines bringing in a bit of the dirty hard rock of early Guns ‘N Roses and Megadeth to their inimitable sound. As a result, the band has a considerable hit on their hands. Assertive guitars are matched by splashy drums; the vocal snarl that plays at the top of the track melds decadence with some serious chops. The production on Run, Hide allows each element of…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

Waldo Witt “Crystal Ball”

Crystal Ball is an atmospheric, softly-sang piece of alt rock that looks back to Kiss Me-era Cure and Wham for inspiration. Haunting compositions play at the back of the single, imbuing the single with a unique flair that will stick with listeners long after the work ceases. Witt’s dreamy vocals provide further complexity to the guitar / synth dynamics backing them; a bit of chiptune and 1980s new wave bubbles…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

Zaritza “Slot Machine”

With Slot Machine, Zaritza is able to simultaneously emote a narrative that anyone that has been in love will be able to understand while adding a further depth to the synths and piano. Supersonic vocals showcase influences as wide-ranging as Bjork and Massive Attack. Slot Machine is one of those timeless tracks that work just as well in 2019 as it would in 1999. A truly epic sound is cultivated…

Posted on: October 2, 2019 Posted by: Sargeant Comments: 0

KMFDM – “PARADISE”

KMFDM comes forth with a ferocity that links together industrial and metal in a vibrant way. The sequenced section mesh well with the tortured, screamed-out vocals. A slinkier set of vocals provides the perfect counterpoint for the bold, brash, and in your face styles that bubble up throughout the track. Few acts are able to continually bring the same intensity over 30+ years, but KMFDM are able to cut through…

Posted on: September 29, 2019 Posted by: Sargeant Comments: 0

Neko Deshawn “Too Much”

Too Much immediately hits listeners over their heads with a flow that builds upon the tradition of Schoolboy Q, Drake, and Kendrick Lamar. The backing beat rises and falls, smartly utilizing repetition to further highlight ND’s lyrical flow. There are a few distinct sections to Too Much; the hard-hitting beginning bounces over to a more laid-back interlude before resuming the intelligent, contemplative approach to lyricism. By weaving the distinct threads…

Posted on: September 29, 2019 Posted by: Sargeant Comments: 0

Rat City “Deliriously Good”

On Deliriously Good, Rat City is able to create a sultry R&B track that has hints of 1980s funk and electronic music studded into the mix. Soulful vocals build upon the tradition of Trey Songz and Cee-Lo, while there’s a thick, luxurious bass line playing in the background. While the two elements would seem a bit far afield from one another, a taut production ensures that each element is able…

Posted on: September 29, 2019 Posted by: John B. Moore Comments: 0

The Subjunctives – Sunshine And Rainbows (CD)

Seattle, the city that brought you grunge, and one of the only emo bands that every really mattered (Sunny Day Real Estate), is not the first place you think of for witty, melodic warp speed pop punk. But The Subjunctives just might change that. On Sunshine And Rainbows, the trio reel through 15 blistering tracks in just over 30 minutes, leaving you both spent and wanting more. The band spans…

Posted on: September 27, 2019 Posted by: Sargeant Comments: 0

Katrina Stuart – Blue Roses

Blue Roses has Katrina Stuart come forth with a touching composition that anyone that has been through relationship or love issues will be able to identify with. The vocal range achieved here by Stuart is considerable, further highlighted through a bit of EDM-influenced synth and a clap track. The resulting effort is something that could easily be blared out to a crowd as part of a DJ’s set this autumn.…

Posted on: September 24, 2019 Posted by: Sargeant Comments: 0

99 Goonsquad, Penelope Robin – 4 Leaf Clover

4 Leaf Clover is our introduction to Penelope Robin’s vocals, showcasing considerable ability alongside Major Lazer-styled backing beats. The confidence that exudes from Robin’s vocals sell 4 Leaf Clover for us. During this track, Penelope is both able to showcase considerable emotional gravity and imbue an additional level of depth to the harmonies of the single. Proficient, engaging, and ultimately able to slot in nicely with modern pop music, 4…

Posted on: September 24, 2019 Posted by: Sargeant Comments: 0

The Peter Ulrich Collaboration – “Final Reflections”

Swimming in My Sleep is a contemplative song that ties together 1960s psychedelic with 1970s progressive. The resulting effort is able to immediately gain listeners’ attentions. Squaring The Circle has a bit of political content to add some gravity to the overall album, while Pirate Jane changes the whole formula by bringing a bit of blues and the bayou into the mix. The one element that is weaved through the…

Posted on: September 24, 2019 Posted by: Cyrus Rhodes Comments: 0

Cruel To Be Kind: the Life And Music Of Nick Lowe

Nick Lowe should be as well-known as Springsteen… or at the very least Elvis Costello. And by musicians, of just about all stripes, he is. But to the casual music listener, aside from his 1984 earworm, “Cruel To be Kind,” (initially release five years prior to little notice), many have no idea just how influential he is as a musician, songwriter, producer and all around dapper guy who has seamlessly…

Posted on: September 23, 2019 Posted by: Saif Shaikh Comments: 1

Geowulf – My Resignation

The British indie dream-pop duo have a heartfelt and wholesome story to tell us with their newest record My Resignation. This is the third record from Geowulf and is a narrative follow-up to 2017’s Great Big Blue. To cut a long story short, My Resignation is among those records which will prompt a listener to take a dive into the archives and dig out past records, and is a stellar…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Talon “Unique”

Talon’s talent is on display during his newest single, Unique. More than just stringing together lyrics, this performer pulls double duty without breaking a sweat. Where rappers are typically able to be bolstered by their backing flow, Talon’s able to add a further complexity to the laid-back beat that is strung through Unique; having that bit of harmony present during his bars is able to make a more comprehensive overall…