Posted on: May 12, 2015 Posted by: Yousuf Ahmed Comments: 0

It would be easy to call Joe Satriani’s Shockwave Supernova a “masterpiece” or “the last word on guitar” from the world’s most commercially successful solo guitar performer. Satch, however, sees it much more personally. He has consistently advanced the artistry of the instrument; an effort he dedicated himself to on September 18, 1970, the day his idol Jimi Hendrix died.

Recorded late last year at Skywalker Sound in Lucas Valley, CA, Satriani assembled the dynamic trio of world-class musicians who had recently been part of his global tour; renowned keyboardist and guitarist Mike Keneally, a veteran of several Satch outings and recordings; along with drumming whiz Marco Minnemann and bass extraordinaire Bryan Beller. “I couldn’t have asked for a better band to help bring these songs to life,” says Satriani.

The album also sees Satriani once again joining forces co-producer and engineer John Cuniberti. Satch and Cuniberti share production on Shockwave Supernova, as they have on numerous albums – their shared history dates back to the guitar star’s 1986 debut album, Not Of This Earth and its follow- up, the platinum-selling, critically acclaimed, Surfing with the Alien.

Minnemann and Beller handle the bulk of Shockwave Supernova’s rhythmic duties, with the exception of four cuts – the driving “Keep On Movin’,” full of wondrous Satch guitar wizardry and Keneally’s playful piano, “In My Pocket,” a deliciously greasy, souped-up take on Swing, along with “Crazy Joey” (a deliriously effervescent romp) and “Scarborough Stomp” (a relentless upbeat rocker) – find Satriani joined by another powerhouse rhythm section: the esteemed drummer Vinnie Colaiuta (whose work includes the likes of Frank Zappa, Sting, Paul Simon, among others) and Jane’s Addiction bassist Chris Chaney (whose resume includes Alanis Morrisette, Celine Dion and Rob Zombie, to name a few).

Recently, during the final performance of his two-year Unstoppable Momentum tour, Satriani had an epiphany; he found himself, “playing the guitar with my teeth an awful lot. I thought, ‘Why are you doing this?’ It’s as if something else, or somebody else, was driving me to do it.” Satriani seized upon this moment of self-realization as the springboard and creative center for his alter ego “Shockwave Supernova,” the outlandish and extroverted ‘performance side’ of the normally shy and reserved guitar virtuoso. With this new persona as partner, Satriani launched his wildly ambitious 15th solo album, Shockwave Supernova.

In a creative and engaging alternative venture, Satriani, a lifelong science fiction fan, has reached out to the future, through the medium of animation. Finally recognizing the on-stage symmetry with his alter ego allowed Satriani to also take a risk on this particular style of storytelling. He says, “Guitarist Ned Evett and I have created an animated series called Crystal Planet. The actual Crystal Planet is our very own Earth, set billions of years in the future. The hero of the show uses music generated by a unique electric guitar to travel through time while the show’s characters struggle to preserve the future and past of humankind.” More information on Crystal Planet and how and where fans will view the series will be coming shortly.

Fans are now able to pre-order the new album with an exclusive signed poster only at satriani.com.

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