Cool Ass create a wry, catchy track that builds off of the rock of the late nineties and early oughts. With straight-forward, fuzzy guitars linking together surf rock with Slash-style technical riffs, Cool Ass are able to ratchet it up to 11 both on the lyrical and musical side of things. The track moves into a more prog/arena breakdown at around the three-minute mark. With a rapidly-increasing tempo bringing things…
Aqua Seca calls back to the rock of the 1980s with their new single, Don’t Care. The song links together Big Country with Eddie Money. Down and dirty guitar lines united with psychedelic and progressive-inspired sludginess. The fact that no two segments of Don’t Care sound the same is astonishing on its own right, but listeners will be agog at how well the resulting composition sounds. Aqua Seca are so…
Izzy Ice comes forth immediately on his new single Cake Up as an evolutionary step forward of DMX, Big Joe and Xhibit. Tons of swagger blend nicely with a robust backing beat to tattoo Cake Up deep into the minds and hearts of listeners. The production of this single ensures that Izzy Ice should garner playlist and rotation play in 2020. II’s wordplay during this cut does more than tell…
During Mexico, twocolors and The Dead Daisies are able to make a slinky composition that call back to the early nineties. Luxurious electronic beats mesh well with a bit of rock that draws from INXS and U2. Mexico has a bit of current and contemporary EDM styling as a drop (around the 2:30 mark) unites the two sections of the track. The last 30 seconds of Mexico are kicked into…
While the titular opening to You Can’t Run Out of Love starts in a time-honored singer / songwriter style, Siobhan O’Brien immediately reaches into the stratosphere with The King’s Fool. Adopting traditional native American and country and western styles with a bit of Sheryl Crow, O’Brien has a hit on her hands. The Burger Song is a bit of 1960s rock with hints of Depeche Mode and The Pretenders. O’Brien…
Elise Lieberth begins her Invincible with “Forgive”, a powerful pop track that could easily garner airplay on CCR playlists. With considerable vocal depth, Lieberth is able to shine with each foray on her new album. Final Surrender showcases the considerable passion and devotion that she possesses. Adding more than just vocals but an additional layer of harmony on this pop/EDM cut, Elise has her fingers on the pulse of contemporary…
Soft, careful, and with tremendous charisma, Lisa Bell is able to open up her Back Seat with aplomb. Couple that with the funk groove laid down during The Road is Always Longer, and fans will start to recognize the sheer depth to Bell’s performing persona. Always Chasing Darkness represents another chapter in Bell’s biography. Slowing things down, Bell keeps fans on the edges of their seat with each line that…
Better Day is the lead-off track from DownTown Mystic’s same-named new album (due out January 24th on Sha-La Music). Better Day is a track that could easily make it onto rock rotation in the early eighties as DownTown Mystic blends together hopeful vocals with laid-back guitars and on-point drumming. There’s a bit of an edge to Better Days that gradually reveals itself as Robert adopts a bit of the “Unmasked”-era…
Philadelphia- duo Rise Twain released their debut self-titled album last year on InsideOutMusic. The union of Brett William Kull (producer, audio engineer, and member of Echolyn, Grey Eye Glances, and Francis Dunnery’s New Progressives) and J.D. Beck (The Scenic Route, Beck-Fields, author & playwright) bring their collective years of direct and varied experience in writing, performing and recording music together for their impressive first album. Today, the band have launched…
V-HAJD is able to call back to 1980s and 1990s metal with their latest track No Man’s Land. The supersonic vocals that are immediately presenting during this single are reminiscent of performers like Dio, Queensryche, and The Scorpions. The taut instrumentation of V-HAJD is nothing to sniff at, either. This means that the drums are intricate as all get out, while the guitar lines that play at the background here…
Award-nominated, multi-platinum artist Halsey will launch the North American leg of her world tour on June 2 at White River Amphitheatre in Seattle, WA. Produced by Live Nation, the headline run will include shows at the Hollywood Bowl in Los Angeles (June 10), Forest Hills Stadium in New York (July 15), Nashville’s Bridgestone Arena (July 24) and Colorado’s Red Rocks Amphitheatre (July 27). The supporting acts will be CHVRCHES and…
Catch Em All is a hard-hitting track that will immediately draw listeners in with a booming, dark backing beat. Ace Hardy’s gritty vocals add an air of authenticity to his bars; the rapper’s ability to intersperse slower sections with a quicker patter keeps things interesting from the first line all the way until the end of the single. Hints of Killer Mike and I-20 are interspersed here, but Ace Hardy’s…
England, Once My England immediately treats listeners to a bouncy, reggae meets ska sort of approach. With hints of Blondie and Bowie interspersed during this introductory track, the band is able to touch upon rock legends while providing a unique approach to their music. We particularly dig the sizzling horn section that marries together the two sections of this opener. They Killed Her Didn’t They? begins in a slower, more…
Carol City is on the come up. Kick 5000’s For 6 is a confident and assertive track that shakes up a stale rap scene. With nods to performers like Rick Ross and Migos, Kick 5000 and Supa Mega are able to make a track that can work equally well on rotation as well as on the streets. The backing instrumentation on For 6 is equally deep, with hard-hitting, bass elements…
White Sun has crafted an engrossing composition with their new single, Tantric Har. Linking together tribal (e.g. Maori / Hawaiian) chanting with new age and world music approaches, White Sun tattoos the song’s melodies deep into listeners’ brains. Subtle changes to the synth line provide fans with enough fuel to make it the entirety of this eleven-plus minute arrangement. One needs to pay special attention to the 8/9-minute mark as…
Joe Coss and Liquid Phase are able to make a hopeful track in Bright Colors that draws upon the late-1980s output of Shiny Happy People-era R.E.M. and the B-52s. Coss’s vocals cede ground to guitars and piano, ensuring that the resulting single has a fullness to it that will stick with listeners long after the song ceases to play. While the song could easily slot into alternative / college rotation,…
Trust My Love begins Unbreakable, Dejhare’s new album. The effort builds upon the strong late-nineties efforts from Madonna while incorporating hints of dubstep and world music. Time Is Everything slows things up, ensuring that listeners are able to see an entirely different facet to Dejhare’s music. The dynamic between the vocals and a thick bass line separates this single from the rest of the fare on Unbreakable. Stand by Me…
This Is My Father’s World is a tremendously emotive composition that draws on traditional American compositions. An organic sound to this track bears considerable narrative components, a trend that is continued through the entirety of the album. I Need Thee Every Hour succeeds due to a number of distinct elements – strings and piano – that are able to be enjoyed as singular items just as they can be collected…
SirNature AlexZander is able to restore the glitz and glamour of the early nineties with his Hey Ms Sexie Thang. Authoritative vocals and considerable charisma ensure that listeners will inexorably make it out of the dance floor. Telling a story as well as adding further to the overall harmonies of the single, SirNature AlexZander establishes a cohesive and comprehensive sound to the lead single to his new album, “Southern Soul…
Hello Alonzo! We are excited to chat with you today! Let’s start with learning more about you – can you catch us up on all things Alonzo 2019? Hey! So, excited to chat with you guys as well! Interviews mean so much to me. Wow did the year fly by. I would call 2019 my year of Growth. I got past some fears and started several new journeys. January –…