There is a surprising depth to the 86-second 5, the lead cut from Orange Birthday’s a1x album. The track feels as if there’s not too much to it during a cursory listen, but there is a dual duty to the swirling synths and instrumental arrangements here. Th epresence of electronic sections and guitars make for something that is a bit new age, a bit atmospheric, and a cogent statement of…
Vortex is a catchy rock track that keeps one’s toes tapping while washing over fans with taut instrumentation and an eclectic, deep sound. Hints of Bryan Adams and Rush can be picked up here; a ropy bass line and charismatic vocals push this single to an entirely higher plateau. C’est la vie is our favorite of this pair as there is a bit more emotional heaviness to the composition. Listeners…
On Time To Live, Meddie Bloom is able to create a cohesive dance track that will immediately draw in listeners’ attentions. The hopeful synth lines, supersonic vocals, and driving beat combine to make for something that will bury itself deep into one’s psyche. There is a good amount of shifting through tempos and styles as Bloom touches upon Italo dance, trance, and mid-1990s techno before adopting a more contemporary EDM…
On Motivate Me, Drew Chale is able to blend together stark, New Wave-inspired backing synths with a touching, emotive set of vocals. Hints of Devo and Simply Red can be heard here. Motivate Me is one of those rare tracks where listeners will be able to pick up something considerably different when they decide to focus on the instrumental or vocal side of things. What Chale contributes to music generally…
John Roberts’ Looking calls back to the synth-pop of the mid-1980s. Hints of Frankie Goes To Hollywood and the Pet Shop Boys can be discerned here. Roberts whips in a bit of Mickie Avalon and MSI to Looking, keeping things fresh and vibrant. The usage of a dominant synth line to play at the bottom of the track provides the perfect counterpoint for Roberts’ sultry vox. The bright colors of…
Kat DeLuna’s Last Night in Miami is the first summer dance track we’ve heard. The song splits time between pop, EDM, and R&B. A synth line calls back to the mid-1980s, while DeLuna’s vocals refresh the approach of a Gloria Estefan or Ciara. The track gradually increases momentum as it moves to chorus, while smart repetition of the title ensures that listeners will have this tattooed into their minds. Adding…
On Today, K.O Styles is able to build up a contemplative rap track that melds together a taut flow, thoughtful instrumentation, and a beat that will have fans clamoring for more. Today has K.O Styles espouse some seriously heavy statements that anyone which has struggled to achieve some sort of success will understand. Whether it is about the distractions (drugs, alcohol) that a great many individuals crash their ships onto…
On Yaw Yaw, the collected F$O clan have made a track that will be blasted out across the United States. Establishing a cut with an infectious beat that links together modern trap music with the all-out sound of Soulja Boy and Trey Songz. Linking together a little bit of everything and infusing the finished result with their own inimitable style, it’s no surprise that F$O Dinero, F$O Kash, and F$O…
Richochet is a laid-back, electrofunk meets indie sort of track that soars on glorious synths and falsetto vocals. A bit of thicker, bassier synth lines add to the low end. The track builds off of the framework initially laid by acts like Passion Pit and MGMT, while ensuring that Nick Vivid’s vocals have ample room to shine. The insistence of the backing beat continues to grow over time, rising and…
Derek Davis’ third solo release, Resonator Blues, is a departure from the soul and funk leanings of his previous solo outing Revolutionary Soul and his history of releases and shows with Davis’ longtime band Babylon A.D. The dozen songs included on this release are drenched in blues, but never the paint by numbers variety that inspires big blues fans to sigh in despair. Instead, even on the album’s cover tunes, you get a…
On BAAD, MAAD is able to refresh the R&B sound of the late nineties and early 2000s. The robust beat, thick bass, and shifts between a quicker and slower approach ensure that listeners are kept at the edges of their seats. The vocal range that MAAD hits during her latest single is considerable, adding further depth to the composition. We’re particularly in love with the dynamic that is achieved between…
The Bus Stop Poets come forth with a bouncy rock track that blends together equal parts progressive rock, jam band, and alternative. The multiple vocal tracks that play over the instrumentation for Blow make for a heavy, contemplative beginning. The guitars and drums are able to establish a similarly-thrushy backdrop that will stand up to multiple listens. The robustness of the Bus Stop Poets during their single is outstanding; one…
On Wretched Cabaret, the Legion of Saints are able to create an alluring rock track upon the framework of oughts acts like Queens of the Stone Age, Wolfmother, and Bloc Party. The passion and charisma of the vocals will immediately draw listeners in, while the taut back and forth between the drums, intricate bass lines, and sizzling guitars sticks with fans long after Wretched Cabaret ceases to play. The production…
On Loose Cannon, Zuffalo is able to blend together jam-band rock with hints of 1970s rock (e.g. Fleetwood Mac) into a crunchy, alluring effort. Sizzling guitar work builds off of early Led Zeppelin, while splashy drums punctuate the backdrop of the track. Together, these elements coalesce into a cohesive effort that will tattoo its melodies deep into the minds and hearts of listeners. Zuffalo is able to gradually shift this…
Just two tracks into Umpteenth, the sophomore LP from Brooklyn-based Onesie, you’d swear this was an early ‘90s college radio rock find, sandwiched between Pavement and The Breeders. Across 11 tracks, the band play a beautifully-cohesive brand of Power Pop, but it’s clear they also have a strong affinity for some of the classic Glam and 1970s rock bands as well after listening to the chugging guitars on a song…
Pride Before The Fall comes forth with an intense energy and a charismatic set of vocals that will immediately draw in listeners. We’re particularly fans of the guitar / vocal dynamic, but a case needs to be made about the taut bass line that plays at the back of Iron Age Mystics’ new album. Save It For The Revolution adds a bit of blues and funk into the mix. With…
On I Need You Tonight, Jennifer Truesdale is able to deftly blend pop, jazz, and 1980s country to make something wordly and full of nuance. The backing instrumentation is a bedrock upon which Jennifer’s vocals can shine. Robust horns, taut drums, and sizzling guitar works unite to tattoo the single’s melodies deep into listeners’ minds. The sheer range that Truesdale achieved during I Need You Tonight will keep fans on…
With a sweet little swing, “You Don’t Need a Rose” infects the air with a confident swagger that listeners won’t be able to shake when taking in its decadent strings alongside the other ten tracks that Lauren Crosby’s I Said Take Me to the Water has in store for pop fans this spring. Driven by its lighthearted lyricism and freewheeling rhythm, “You Don’t Need a Rose” is a good sampling…
Despite breaking up nearly 10 years ago, there are still few bands from the ‘80s and ‘90s that can still command allegiance from the masses like R.E.M. Sure there are a slew of groups from that era that can brag about cult status, but R.E.M is among the few who have managed to hold on to their core early adopters from their I.R.S. years and bring along an entire generation…
Flowers is a surprirsly deep track. The dreamy vocals that are laid down here intermix with fuzzy guitars and punchy drums to establish a complex array of sounds. Happy, Hollow is an act that is able to make a contemplative, fulfilling track one that could mindlessly tap their toes along to. It is this ability to be something for everyone that further rasies their stock. One needs to dig in…