Posted on: May 30, 2008 Posted by: James McQuiston Comments: 0

Vinehouse – Young Regret / 2008 Self / 12 Tracks / http://www.vinehousemusic.com /

This three-piece starts out their “Young Regret” with “Killer on the Road”, a track that skillfully blends together a doo-wop sound with a contemporary approach to rock. The vocals are the pinnacle on what is already a solid step forward; where the vocals provide listeners with a hooky set of melodies, they also are more intricate than one would hear at first blush. Regardless of how individuals end up taking “Killer on the Road”, individuals will focus on to Vinehouse’s efforts on the later segments of “Young Regret”. “Killer on the Road” is followed up by the title track, which provides individuals with a different side to Vinehouse.

The bass is what stands out most clearly for me on this track, adding the proper punch to a track that shows influences ranging from the Spin Doctors to Soul Asylum. “Coffee Break” strips the intricate arrangements and the multiple layers of both “Killer on the Road” and “Young Regret,” allowing the guitars to approximate a sound that is influenced by AC/DC and Foghat. The dreamy vocals during this track have a hint of “Siamese Dream”-era Billy Corgan, while the overall approach is unique.”Rosalie” shows a shift in the subject material broached by Vinehouse; this track showcases a tremendous amount of emotion, as the vocalist addresses the title individual in a way that anyone that is listening in will be able to identify with. The driving beat pushed forth during “Rosalie” by the drums and bass further show the dedication of the vocalist, making for a compelling track that pushes on the style put forth during “Bringing Down The Horse”-era Wallflowers.

“The Fall” begins with the same churning, driving drum and bass dynamic, but adds a hint of ska influence in the guitar arrangements (think “Synchronicity”-era Policy) to create a sound that has something for everyone, no matter which era of rock an individual may favor. Vinehouse creates a unique sound during “Young Regret” that will stick with listeners for weeks after listening to “Young Regret”, but this is not the only reason why individuals will appreciate the band. Vinehouse creates their unique approach to music through use of a number of influences from all eras and genres in rock: individuals are likely to hear Tom Petty and Morrissey playing along during the track, as Vinehouse creates something that is definitely special.

Top Tracks: Alibi, The Fall

Rating: 7.7/10

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