Sarah Ragsdale’s “Paranoia” begins with little more than Sarah’s vocals, a piano, and drums. With these elements, Ragsdale is able to draw upon the rich musical traditions of 1960s pop and refresh it in such a way that today’s listeners will hang onto each word. The deliberate sound of Paranoia ensures that more is done with less; this track is wonderfully effecting in the same sort of way as a selection from Joan Baez or Leonard Cohen playbook. When additional elements present themselves, the track is able to expand into bold new ways; Ragsdale keeps innovating until the final notes of her latest single.
Sarah Ragsdale “Paranoia” / Website
John Sargeant, writing on NeuFutur as Sargeant, is the founder and editor-in-chief of NeuFutur Magazine, where he has covered independent music, PC hardware, consumer tech, and gaming culture since 1998. With over 25 years of continuous digital publishing experience, he has written thousands of hands-on game and record reviews, conducted in-depth hardware field testing, and analyzed digital media monetization trends. His work prioritizes first-hand evaluation and long-term product testing.
Beats: Independent Music, PC Gaming & Peripherals, Consumer Tech, Webmaster Tools
Testing & Ethics: All hardware, software, and media reviews are conducted through hands-on evaluation in accordance with NeuFutur’s editorial independence standards; sponsored consideration is strictly excluded from editorial ratings.
Contact: editor@neufutur.com