Category: Music Reviews

Posted on: April 14, 2019 Posted by: Sargeant Comments: 0

Chrystian Lehr – Friends / Hit My Line

Friends Chrystian Lehr comes forth on Friends with a tremendously intense R&B track that touches upon the last 20 years of the musical style. That means that there are hints of Jodeci present alongside Jason Derulo, The Weeknd, Neyo and Trey Songz. In this cut. Chrystian is able to both weave a cogent narrative and add mightily to the overall melodies established on the track. The tempo rises and falls…

Posted on: April 13, 2019 Posted by: Sargeant Comments: 1

Hoozbah – ‘Kneel to the Power’

On Kneel to the Power, Hoozbah is able to make a tremendously engrossing rock track that builds upon Frank Zappa and Bennie and the Jets-era Elton John to create one of the deepest and most emotionally complex tracks we’ve heard. The backing instrumentation rises and falls with the shifts in momentum enough to firmly lock listeners to their seats. The charisma of Hoozbah’s vocals are paralleled quite nicely with the…

Posted on: April 13, 2019 Posted by: Sargeant Comments: 0

Hogz in Dandyland – Dr. Grimm’s Parade

Dr. Grimm’s Parade is the latest effort by Hogz in Dandyland, following up on some of the themes and styles initially broached on 2009’s Across a Miracle. Leafhopper begins the album, showcasing a measured and sedate approach that is able to tell a story through the instrumental interactions that wash over listeners. A focused guitar line and brooding sound pulled out of 1980s goth imprint a certain set of expectation…

Posted on: April 13, 2019 Posted by: Sargeant Comments: 0

Tommy Botz – Teddy Bear

Teddy Bear is a perfect example of a song that draws mightily on the country and western sound of the mid 1960s. The tremendous vocal quality of the track calls comparison to Tammy Wynette and Reba McEntire. The backing instrumentation of Teddy Bear is alluring with emotive slide guitar, on-point piano, and tremendous pathos presented through the bass line that is weaved through the track. There is a vibrancy to…

Posted on: April 13, 2019 Posted by: Sargeant Comments: 0

“Magic Carpet” by Ricky Rebel

Ricky Rebel’s Magic Carpet is an energetic effort that possesses hints of Latin and middle eastern style, all while calling back to the pop style of the mid-oughts. The eclectic sound that Ricky Rebel crafts here will bury itself deep into the minds and hearts of listeners. We’re particularly impressed at Ricky Rebel’s ability to both tell a story and add an additional level of depth to the backing instrumentation.…

Posted on: April 13, 2019 Posted by: Cyrus Rhodes Comments: 0

Stars in Toledo release LP

Two years. That’s how long Stars in Toledo have been building a relationship as a band. Two short years. And yet, when I listen to their eponymous debut album, I don’t hear a group of musicians who have only spent a couple of holiday seasons together as a family of artists. I hear a band that has found their groove and gotten in sync with each other in a way…

Posted on: April 13, 2019 Posted by: Kim Muncie Comments: 0

The new EP from doubleVee has Arrived

URL: https://www.doublevee.net/ The “alternative” branding, as it currently stands in contemporary pop music, doesn’t mean a whole lot to very many people anymore, and it’s got nothing to do with the sudden death of a culture or the musicians who inarguably brought it to life in the first place. It’s because the term has been overused, misapplied and skewed with inarticulate subtexts; but in the case of Songs for Birds…

Posted on: April 12, 2019 Posted by: John B. Moore Comments: 0

SOTTO VOCE – Safety (CD)

With Sotto Voce’s latest LP, Safety, it’s mastermind Ryan Gabos seems to have finally perfected his brand of moody, sometimes drowsy, pop music. The Pittsburgh native now holed up in Brooklyn (naturally), plays all of the instruments here, down to the programmed drum beats, and the result is a tidy satisfying collection of digestible pop ditties that swirl around long after you stop playing them. Residing somewhere between Yo La…

Posted on: April 9, 2019 Posted by: Sargeant Comments: 0

C’Marie “Be Nice”

Be Nice is a fun pop track that is wholly unique when compared to the rest of the music clogging up terrestrial radio. C’Marie is able to build her own unique style upon the framework initially laid down by Corinne Bailey Rae and Ciara, while bringing to bear some seriously fun backing beats. With a bouncy, 1990s-infused pop / dance approach, Be Nice is one of those tracks that does…

Posted on: April 9, 2019 Posted by: Sargeant Comments: 0

Jack Bruno “iLoveJustinBieber”

For a song named iLoveJustinBieber, Jack Bruno comes out with a sick flow. With a hard-hitting set of bars and a chorus that blends together Tech N9ne and Three Loco, Jack Bruno is able to work with current rap and trap styles. Bruno’s output here is nothing less than impressive, telling a story as he adds a bit of finesse to the booming beats and clap track that represent the…

Posted on: April 8, 2019 Posted by: Sargeant Comments: 0

Yungeen Ace “So Long”

Yungeen Ace is able to tie together a southern rap style with a tortured, emotionally intense flow that showcases the other side of trapping. Few rappers are able to come forth with such an honest flow, and it’s one of the strongest facets for So Long. Listeners are able to get a tremendous introduction to Yungeen Ace over the course of the single’s run time. A tale plucked from reality,…

Posted on: April 8, 2019 Posted by: Sargeant Comments: 0

HEЯITAGE “Fashion Slayer”

On Fashion Slayer, HEЯITAGE is able to link together 1970s funk, 1990s hip-hop and a bit of Latin bass into a track that will get listeners out on the dance floor. We’re in particular love with the intense bass line and the Daft Punk-esque synths that are weaved through Fashion Slayer. The two-part vocal harmonies presented here do more than tell a story – they add considerable depth to an…

Posted on: April 8, 2019 Posted by: Sargeant Comments: 0

Just Like Honey – Wild Things

On Wild Things, Just Like Honey is able to make a contemplative indie-rock track that takes the best part of Disintegration-era Cure and the Jesus and Mary Chain (where the act takes their name) and mixes them up into a wholly unique sound. Bold bass lines, twinkling guitar work, and spot-on drums unite to establish an overall soundscape that will stick with listeners long after the song ceases to play.…

Posted on: April 8, 2019 Posted by: John B. Moore Comments: 0

Professor Longhair – Live On The Queen Mary (CD)

Just a year after the release of his 1974 comeback album, Professor Longhair – arguably one of the Big Easy’s most important exports – played a remarkable show on the deck of the Queen Mary, docked in Long Beach, CA, at party hosted, oddly enough, by Paul and Linda McCartney. That March 24, 1975 set was recorded and released a few years later and would go on to help the…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 0

Dax Brooks “Only Human”

Only Human is a tremendously passionate single in the vein of Lenny Kravitz or Prince. With equal parts sultry guitar and touching vocals, Dax Brooks is able to make a touching effort. The presence of a bit of soul and even traditional R&B imbues Only Human with a timeless sound. Brooks’ stellar performance during this cut will stick with listeners long after the track ceases to play. With just enough…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 0

SHI 360 “No Way”

On No Way, SHI 360 has an intense flow that is part Tech N9ne, part Royce da 5’9. The chorus shifts things up a bit, providing a chiller, more contemplative sound before SHI 360’s bars begin again. The two distinct segments of No Way are essential in establishing the track as a bona fide chartable single. With a timeless flair to the track, SHI 360 is able to stay true…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 0

Bernard Hyppolite “American Dream”

Bernard Hyppolite makes a hard-hitting effort with his “American Dream”. With hints of Wyclef Jean and 311 present in his vocal style, Hyppolite is able to imbue an immediacy to the effort. American Dream’s backing beat unites traditional and modern as well as vocal and instrumental sides, ensuring that listeners are firmly on the edges of their seats. Hyppolite’s flow adds to this overall soundscape, making for something that goes…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 0

Seven Past Sunset “Overwhelmed”

On Seven Past Sunset’s Overwhelmed, a heavy rock sound is matched well with supersonic vocals. The act is able to call back to the late-nineties and early-2000s post-grunge style. With guitars that tie together Meshuggah, White Zombie, and Papa Roach, the track is able to assault listeners while the charismatic vox draw fans back from the void. The production of Overwhelmed ensures that the disparate sides of Seven Past Sunset…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 0

Jonny Dee “You”

You is a laid-back sort of track from Jonny Dee. The track is able to tie in hints of soul, R&B, and ambient music that will have listeners reclining in luxury. A dreamy set of vocals plays out over a rap style that is wholly unique. With a clear and erudite style playing out over the backing beat, fans will be impressed at how Jony Dee is able to lay…

Posted on: April 7, 2019 Posted by: Sargeant Comments: 1

A Bad Think “Feel Me”

On Feel Me, A Bad Think are able to tie together Tom Petty, Warren Zevon, and Adam Duritz (Counting Crows). The dreamy vocals are bolstered through assertive guitar lines and drums / bass that add mightily to the bottom of the track. The effort gradually shifts and changes styles to end up at a much different place than A Bad Think began their Feel Me. The drum / vocal dynamic…