On No Way, SHI 360 has an intense flow that is part Tech N9ne, part Royce da 5’9. The chorus shifts things up a bit, providing a chiller, more contemplative sound before SHI 360’s bars begin again. The two distinct segments of No Way are essential in establishing the track as a bona fide chartable single. With a timeless flair to the track, SHI 360 is able to stay true…
Bernard Hyppolite makes a hard-hitting effort with his “American Dream”. With hints of Wyclef Jean and 311 present in his vocal style, Hyppolite is able to imbue an immediacy to the effort. American Dream’s backing beat unites traditional and modern as well as vocal and instrumental sides, ensuring that listeners are firmly on the edges of their seats. Hyppolite’s flow adds to this overall soundscape, making for something that goes…
On Seven Past Sunset’s Overwhelmed, a heavy rock sound is matched well with supersonic vocals. The act is able to call back to the late-nineties and early-2000s post-grunge style. With guitars that tie together Meshuggah, White Zombie, and Papa Roach, the track is able to assault listeners while the charismatic vox draw fans back from the void. The production of Overwhelmed ensures that the disparate sides of Seven Past Sunset…
You is a laid-back sort of track from Jonny Dee. The track is able to tie in hints of soul, R&B, and ambient music that will have listeners reclining in luxury. A dreamy set of vocals plays out over a rap style that is wholly unique. With a clear and erudite style playing out over the backing beat, fans will be impressed at how Jony Dee is able to lay…
On Feel Me, A Bad Think are able to tie together Tom Petty, Warren Zevon, and Adam Duritz (Counting Crows). The dreamy vocals are bolstered through assertive guitar lines and drums / bass that add mightily to the bottom of the track. The effort gradually shifts and changes styles to end up at a much different place than A Bad Think began their Feel Me. The drum / vocal dynamic…
On Blueberry Fireworks, Anana Kaye is able to refresh the style of performers like Cyndi Lauper, Stevie Nicks and Tori Amos. The emotive and touching vocals are paired alongside pianos and drums that accentuate every lyric. With a bit of 1960s soul that is whipped into the mix on Blueberry Fireworks, Kaye is able to reach the widest possible collection of fans. A stellar production ensures that each of the…
If Tom Waits had been born and raised on boudin and Tabasco sauce somewhere in rural Louisiana, he’d sound a hell of a lot like Rod Melancon. On Pinkville, Melancon’s fourth and most personal LP yet, the Cajun Dylan delivers a powerfully searing collection of Southern Gothic, swamp rock with tinges of Americana. The album starts out slow with the two gritty opening songs, the title track and “Goin’ Out…
Marvel, the latest effort by Masaki Hanakata, begins with a very vibrant and bouncy sound in La La Laura. This bouncy feeling continues into Rainbow. With each track only occupying a few minutes, it becomes easy for Masaki to create something unique and expand upon the sound without allowing the song to become repetitious. Eimar starts off slowly and tenderly, with Hanakata building upon the style of mid-1990s indie rock.…
On Miles Away, Black Lion is able to call back to 1990s hip-hop for a track that is part laid-back, part hard-hitting street rap. With a twinkling production that builds off of the tradition of J. Dilla, Miles Away simply slaps. The contribution of Janel Sherise to the cut’s chorus provides a further layer of finesse to the song. There’s enough variety to Miles Away that it will stay fresh…
At Least Not Today is the first track on Londale’s new album Achilles. The track expertly links together 1980s pop-rock with 1990s to make something that is vibrant, catchy, and will ultimately require greater engagement by listeners to hear everything that has been placed within. The production on Achilles is solid, adding a hint of grit to effortlessly unite the guitars, vocals, and drums that issue forth. Quit Breaking My…
If there was ever a big 4 of Deathcore, Whitechapel would be among them, along with Job for a Cowboy, Suicide Silence, and perhaps All Shall Perish. These are the bands that invented the genre and created the foundation for what would become nearly a decade of future copycats and a mire of mediocre ripoffs. But Whitechapel are back in 2019 to show us why they truly deserve their seat…
There aren’t many bluegrass groups that have both the instrumental and lyrical prowess that Joe Mullins & The Radio Ramblers do, and they exploit their talents for all that they’re worth in the brand new album For the Record. From “That Old Wheel” to “Georgia Slammer,” Mullins and the equally skilled cast of Randy Barnes, Duane Sparks, Mike Terry and Jason Barie throttle us with impossibly dexterous string compositions, larger than…
Nancy Ruth is able to make a tremendously sultry effort that showcases the sheer breadth of her voice. With complex and thoughtful arrangements commonplaces during Todo Para Ti (All For You), Ruth is able to ensure that listeners will have to play the effort multiple times before hearing each and every dynamic that is built up here. Extended instrumental sections further increase the replay value of Todo Para Ti; while…
On Naked, Kalliopi is able to recall the mid-oughts singer-songwriter genre (e.g. Kelly Clarkson, Pink) and impart her own sound upon the style. What begins in a very sedate fashion changes up considerably as Kalliopi moves into the two-minute mark. With a more insistent guitar and a bass laying down a rich and varied line in the background, Naked is able to really get some solid momentum in its second…
During Benjamin, Source is able to create a brutal sort of metal that whips in a bit of Pantera and Alice in Chains. With chugging guitars and darkly emotive vocals, the band is able to quickly move from the build up to an absolutely furious tear-down during the chorus. The supersonic vocals stretch out over the track, whipping in hints of Muse and Tool along the way. With swirling eddys…
Everybody Dance is a catchy track in the vein of 1980s rock (Poison, Bryan Adams). With a set of vocals that is part Dee Snider and a bit John Rzeznik, The Stanleys are able to imbue their newest song with a timeless patina. The guitar work s impressive as well; the riffs simultaneously hit a hair metal guitar solo and Bastards of Young-era Replacements sound. All together, the band is…
Dajour is able to create one of the summer’s first feel good songs. Slow Wine, his latest, is able to go forth and have all of the passion of a Trey Songz or Omarion while crafting something that is taut musically. With hints of reggae and more tropical-tinged EDM, Slow Wine is a single that could easily garner airplay throughout radio stations and playlists. The slower tempo of Slow Wine…
Major Moment is able to blend together EDM with hard rock in a fashion that renovates the approach of acts like Stabbing Westward and Linkin Park. A driving synth line provides proper highlighting to the single’s vocals, while the drum fills and guitar breakdown add just enough grit and viscera to the resulting track. There is a smoothness, a supersonic set of vocals that sits at the top of May…
Start Living Again is an alluring track that has Ajay Mathur create harmony-laden soft rock that draws upon the tradition of late Eagles, Boston, and ELO. Equal focus is given to Ajay’s charismatic vocals and sizzling guitar lines. Adding spot-on drum work and just a tinge of 1990s alternative rock in the backing instrumentation for his latest ensures that anyone that views the video will find something that they will…
Canadian rockers The Respectables return with a new album, The Power of Rock and Roll, an accompanying leadoff single and video certain to solidify their longstanding reputation as one of the best rock acts hailing from the Great White North. The eleven song collection is an expertly produced affair courtesy of longtime Rolling Stones collaborator Bernard Fowler with cuts featuring renowned guest stars like guitarist Waddy Watchel, formerly a member of Keith…