Category: Features

Posted on: April 6, 2020 Posted by: John B. Moore Comments: 0

Mark Erelli – Blindsided

Massachusetts-based songwriter Mark Erelli has been a go-to sideman for decades, playing with everyone from Paula Cole and Josh Ritter to Marc Cohen. He’s also a much in demand producer, but as Blindsided, his latest solo effort shows, he really belongs in front of the mic. Across 11 tracks, Erelli blends pop, folk and American in a deeply accessible way. You can hear traces of everyone from Tom Petty to…

Posted on: April 4, 2020 Posted by: Sargeant Comments: 1

Vega IPA #6 (Ecliptic Brewing)

Ecluiptic has crafted one of the most hop-forward india pale ales that we’ve had opportunity to evaluate in the last few years. Every drop of lupulin, every bit of bitterness is essential for making this stand out among the countless IPAs that are cluttering up store shelves at any given moment. The brew pours with a goldenrod to outright gold coloration and only the smallest amount of white head. The…

Posted on: April 4, 2020 Posted by: John B. Moore Comments: 0

The Claudettes – High Times In The Dark

It’s rather apt that The Claudettes pulled in Ted Hutt to produce their latest, High Times In The Dark. The current go-to producer for hard to define bands was co-founder of Flogging Molly, another group that heled to create a style of music by cobbling together various genres, much like The Claudettes have done since their first record, nearly a decade ago. A beautifully bastardized child of cabaret, pop, punk…

Posted on: April 3, 2020 Posted by: Sargeant Comments: 0

Taylor McCluskey – ‘STAR GOD’

Somebody Cares is a solid opening to Taylor McCluskey’s new album, STAR GOD. The track is able to blend together pop, rock, and trap music in a fashion that will easily be slotted on pop rotation radio. Taylor’s charisma during this opening track will keep fans focused on the comp as he moves into Breathless. Breathless is a power ballad, bringing forth some seriously emotional statements from McCluskey. An insistent…

Posted on: April 2, 2020 Posted by: Kim Muncie Comments: 0

Dear Engineer (EP) by Chords of Eve

In their new extended play Dear Engineer, Chords of Eve blend together the surrealism of contemporary electronica and the self-awareness of vintage alternative rock in equal doses, and despite the acrylic nature of the textures their experimentations produce, the resulting tracklist we find in this record is unquestionably one of the more spellbinding that I’ve had the pleasure of reviewing this spring. Structured atop colorful grooves that play out with strong…

Posted on: April 2, 2020 Posted by: Kim Muncie Comments: 0

Mike Rickard offers up LP “Out Loud”

Against the backdrop of a haunting electric guitar’s gentle melody, Mike Rickard begins to unfurl a string of lyrics in “Six Queer Kids” that sounds less like the opening verses of a pop song and more like a narrative that is all too real and relatable in our modern world. Homelessness, isolation, depression and mortality are all on the table for the gay youth who serve as this stunning single’s…

Posted on: March 31, 2020 Posted by: Sargeant Comments: 0

MariBased1 “Mystery Girl”

Mystery Girl has Seattle’s MariBased1 pulling back to the 1990s for inspiration, even as the chorus that issues forth during his latest single will rank right up there with Migos and Trey Songz. There’s considerable range that Maribased1 covers during this cut; the glue that unites these disparate sections is an attention to detail and an ability to make everything work effortlessly together. With a chorus that will bounce around…

Posted on: March 31, 2020 Posted by: Sargeant Comments: 0

Nicky Romero “Stay”

Stay begins with some tremendous vocals and sweeping synths that will immediately bury themselves deep into the minds and hearts of listeners. The arrangements are refreshing, light, and provide a certain amount of brightness to this bleak spring. Romero is able to imbue Stay with a timeless sound that will appease fans of today’s EDM just as it speaks nicely to 1990s and oughts aficionados. Stay is one of those…

Posted on: March 28, 2020 Posted by: Kim Muncie Comments: 0

Luis Mojica, How a Stranger Is Made

At once spellbinding in its decadent layering of string play and elegant keys yet wholly menacing in its underlying tone, it doesn’t take very long for “City Friends,” one of the eleven songs comprising the new album from Luis Mojica, How a Stranger Is Made, to enrapture most anyone who comes within earshot of its mightily evocative harmonies. As you’ll discover on your own when browsing through the tracklist of How a…

Posted on: March 27, 2020 Posted by: Kim Muncie Comments: 0

Diane Patterson releases new Single

“Somewhere There’s a Song Still Singing” reminds us in 2020 that traditional folk music still holds the power to leave listeners spellbound. It helps that Diane Patterson never treats the form too reverentially, like a butterfly trapped under glass, but instead injects her compositional skills with a level of melodic excellence certain to connect with both casual music fans and folk devotees. She has built a wide ranging discography over…

Posted on: March 24, 2020 Posted by: Sargeant Comments: 0

Patrick Ames – “Liveness” EP

Bang Bang Bang has a funky vibe and a tremendous narrative that firmly puts it in the theme of folk and early narrative rap styles. The instrumental side of things leans well into the soul and R&B styles of the early 1970s; Ames’s vocals are able to hammer home a cogent narrative in the space of just a few minutes with this opening composition. The Liveness EP continues with a…

Posted on: March 23, 2020 Posted by: Sargeant Comments: 0

Saint Mars Interview

Today, we are speaking to Saint Mars. Can you give us a little background information about yourself? How did you get into music? Tryzdin: I got into music at a young age, I started singing when I was 2 years old. Singing really helps me calm myself and really discover who I am as a person… without music I would be lost. Music runs in both sides of my family…

Posted on: March 22, 2020 Posted by: Sargeant Comments: 0

The Elected Officials “Death For Sale”

On Death For Sale, The Elected Officials are able to create some breakneck skate-punk that ties together The Circle Jerks and The Exploited into one furious mess. Taut guitars, intense drums, and a chugging bass line tattoo the song’s melodies deep into the minds of listeners. There’s enough variety here with the kicking-in of the bass line (1:30) and shifting guitar riffs (1:45) to add a further boost to the…

Posted on: March 22, 2020 Posted by: Sargeant Comments: 1

Riley ft. V$ Asad “Fasho”

On Fasho, Riley is able to create a hooky style that blends late-oughts styles (e.g. Soulja Boi, T-Pain) with a bit of the mumble rap style. A brooding, emotive backing beat establishes a clear soundscape upon which Riley’s bars can shine. There’s a crossover appeal present to Fasho; bits of autotuned lyrics will get butts out on the dance floor. The presence of V$ Asad’s own unique style on Fasho…

Posted on: March 19, 2020 Posted by: John B. Moore Comments: 0

Dave Simonett – Red Tail

Gone are the fiddles, the mandolins and the banjo, that have come to define Trampled By Turtles trademark sound, but Dave Simonett’s strong stark vocals are still front and center on this, his first proper solo album under his own name. The music is a mix of mostly somber Americana and folk and is in the same vein as the material Simonett put out under the Dead Man Winter name.…

Posted on: March 17, 2020 Posted by: John B. Moore Comments: 0

The Ballroom Thieves – Unlovely (CD)

The fourth track, “Homme Run,” off The Ballroom Thieves latest Unlovely is a beautifully succinct, deftly written call out to how far we have yet to go in terms of equality. Even the Democratic party in 2020, the political group that has been preaching gender equality ad nauseum, is offering a choice between two 70-something white males as the group’s leader. Two steps forward one step back. Wrapped into Calin…

Posted on: March 17, 2020 Posted by: Kim Muncie Comments: 0

Tonne releases EP

Opening in a haze of new wave-reminiscent bass and drum surrealism, “The Great Game” doesn’t waste a second in wrapping its haunting hook around us beyond the point of escape, and not dissimilar to the other three songs it shares a tracklist with in the new record Bridey Murphy from Tonne, its flirtatiousness with alternative rock song structuring isn’t limited to cosmetic frills alone. In Bridey Murphy, noisy melodies and punkish lyrical themes…

Posted on: March 17, 2020 Posted by: Sargeant Comments: 0

of Montreal Get God’s Attention By Being An Atheist / Polyaneurism

of Montreal have just released a pair of singles. On Get God’s Attention By Being An Atheist, oM are able to create a bouncy indie-rock effort that looks back to the 1990s for inspiration. With a hopeful, catchy set of vocals that tie together Weezer and They Might Be Giants, the wall of sound that issues forth after the chorus will have fans tapping their toes. Polyaneurism is a fascinating…

Posted on: March 17, 2020 Posted by: Sargeant Comments: 0

L.A. Bliss “Stranger Love”

Stranger Love has L.A. Bliss refresh the 1980s sound of performers like Debbie Gibson and Tiffany. The backing track for her latest single links together sizzling guitar work with a warm, earthy synth line. Upon this melange of approach are Bliss’s soaring vocals. Stranger Love is an effort that will bury itself deep into the minds and hearts of listeners; there’s an honest sound that is cultivated through the entirety…

Posted on: March 17, 2020 Posted by: John B. Moore Comments: 0

Sam Doores – Self-Titled

The bulk of Sam Doores self-titled solo debut may have been recorded in Berlin and Nashville, but he certainly didn’t leave behind his native New Orleans influences while he crossed the globe. The 13-track record may be Southern roots at its core, but it’s covered in swampy organ, laid back R&B and tinges of gospel and psychedelic music.      Best known for his time in Hurray for the Riff Raff…