Author: Kim Muncie

Posted on: August 20, 2019 Posted by: Kim Muncie Comments: 0

Risk: Living On The Edge by Michael Tenenbaum

The financial information pertaining to risk factors alone are what help pack Risk: Living On The Edge full of vital history in the age of mass data and tells some great stories involving the rise of it all in chapter 3, and that’s one of its more fascinating parts early on for me. The information in the stories are key to getting interested in the following chapters in the book…

Posted on: August 19, 2019 Posted by: Kim Muncie Comments: 0

Paul Jacks is back this summer

Paul Jacks is back this summer with a fascinating sequel to his watershed solo debut Defractor in In Other Words, a record which is literally filled to the brim with elegant melodies that have been shaped into catchy, yet always surreal, soundscapes of the most erudite variety. Right from the start of the tracklist in “In the Late Dark,” Jacks is playing like his life depends on it, and giving up one of…

Posted on: August 12, 2019 Posted by: Kim Muncie Comments: 0

Rebecca Binnendyk returning to the spotlight

Canada has been producing some really exciting talent this year, and among the brightest stars that I’ve had the pleasure of taking a look at lately is none other than Rebecca Binnendyk, the sultry singer/songwriter whose 2016 album, Some Fun Out Of Life, won the hearts of critics and fans across the country and beyond when it first debuted. 2019 sees Binnendyk returning to the spotlight once more with the release…

Posted on: August 9, 2019 Posted by: Kim Muncie Comments: 0

Caracol releases “Flooded Field”

Caracol’s “Flooded Field” from the album Symbolism is the work of an engaged and top notch recording artist intent on providing listeners with a worthwhile listening experience and abundant entertainment alike. Caracol has enjoyed a career a little over a decade long and, rather than repeating herself with each successive release, This new single continues tilling much of the same fertile ground that has paid enormous dividends for her on previous releases,…

Posted on: August 8, 2019 Posted by: Kim Muncie Comments: 0

Ronnue’s Introduction 2 Retro-Funk

With a mild rattle at the center of its rhythmic swing, “Give in 2 Me” is easily one of the more seductive songs for us to behold on Ronnue’s Introduction 2 Retro-Funk, but it’s not the only sexy set of bass-driven beats in this tactful funk twelve-pack. The vintage “You Tried Me (The Man’s Anthem)” and “Do It (The Remix),” the latter of which features Roc Phizzle and Soultry stepping up…

Posted on: August 7, 2019 Posted by: Kim Muncie Comments: 1

Ooberfuse’s “Call My Name”

Remixes, particularly when they’re boxed together in a single disc, allow for us to look at a song from a litany of different angles, but the new extended play centering on ooberfuse’s “Call My Name” composition goes well beyond that. From the abrasive sounds of “The Noise” remix to the fundamentally simple “Hal St John Radio Edit,” each version of “Call My Name” gives us a unique insight into the…

Posted on: August 7, 2019 Posted by: Kim Muncie Comments: 0

Nicholas Altobelli delivers an eclectic collection of alternative Americana

In his latest album, the long-awaited Vertigo, Nicholas Altobelli delivers an eclectic collection of alternative Americana via songs like the brilliant “Runaway Trains,” “Red, White, And Blues,” and “Don’t Let the World Get You Down” whilst redefining his artistry with an experimental aesthetic that just wasn’t present in previous offerings bearing his moniker. Altobelli pulls out all of the creative stops to make Vertigo as unflinchingly honest and endearingly melodic as possible, and…

Posted on: August 7, 2019 Posted by: Kim Muncie Comments: 0

Gravity and Friction (LP) by King Ropes

Plunging percussive thrusts are joined by a gush of distorted melodies in “Butterfly Joint,” one of the eight songs comprising King Ropes’ exquisite sophomore album, Gravity and Friction. In “Butterfly Joint,” and really all seven of the tracks that it’s accompanied by on Gravity and Friction, a mind-bendingly surreal soundscape is utilized as a forceful canvas atop which the band can colorize the otherwise simplistic beats. The music is unrepentantly experimental, but…

Posted on: August 5, 2019 Posted by: Kim Muncie Comments: 0

Kendra And The Bunnies and becoming the VOICE you wish to hear on the wind…

Tell us about being a musician in Los Angeles. Being a part of the creative music scene in Los Angeles is cool. There is a network of us indie musicians that gravitate towards each other in different areas of town. I’ve got my singer-songwriter clan in the Valley, the rock ’n rollers in Hollywood, my EDM & hip-hop crew in K-town, and the chill surfers down in Venice. We all…

Posted on: July 31, 2019 Posted by: Kim Muncie Comments: 0

You Know by Jaco is built around stylishly heavy tracks

Though its sway can be, at times, both nauseating and cerebrally entrancing, Jaco’s “Say Goodbye” is nonetheless one of the most evocative tracks that you’ll encounter in the debut solo affair from the noted Birmingham scene stalwart, You Know. Released this past July 19th to critical acclaim, You Know is built around stylishly heavy tracks like “Say Goodbye,” the crushing “Shoe” and monolithic “For Myself,” all three of which contain as many pop facets…