Category: Music Reviews

Posted on: January 14, 2020 Posted by: Kim Muncie Comments: 0

Two (LP) by This Time Band

If guitar sizzle is your style, I would definitely recommend taking a peek at the latest record from Canadian rockers This Time, Two, the next time you’re browsing new indie titles, because from the plodding fuzz of deep cuts like “Caught You in Love” and “Something About,” to the blustery palm-muted storm of “Be Somebody” and chief single “Runaway,” they absolutely embody the core of this band’s sound more than anything…

Posted on: January 13, 2020 Posted by: Sargeant Comments: 0

pagan interface – Psychic Feedback & The Crystal Void

The Sidewinder’s Empathy is a composition that refreshes the trip-hop of Massive Attack and late-nineties Bjork. Neuronal Disintegrity ensures that listeners will have to strap on their headphones to hear the sheer ranges of actions that are occurring at any one section. While the effort concludes well below the four-minute mark, pagan interface ensures that there is enough ensconced within here that one will have to play the effort five…

Posted on: January 12, 2020 Posted by: Sargeant Comments: 0

Will – Staying Alive (feat. Illogic + Scratch Johnson)

Will’s new single Staying Alive succeeds due to a melange of approaches and styles. This means that there are hints of scratching, Del the Funky Homosapien, and more than a fair shake of mid-1990s NYC hip-hop (e.g. Nas). Scratching represents a good portion of the interstitials between the vocalists’ bars, building off of the style of a Static Selektah. Incorporating guest bars laid down by Illogic to the track further…

Posted on: January 12, 2020 Posted by: Sargeant Comments: 0

Cool Ass -“S.O.B. (Song Of a Bitch)”

Cool Ass create a wry, catchy track that builds off of the rock of the late nineties and early oughts. With straight-forward, fuzzy guitars linking together surf rock with Slash-style technical riffs, Cool Ass are able to ratchet it up to 11 both on the lyrical and musical side of things. The track moves into a more prog/arena breakdown at around the three-minute mark. With a rapidly-increasing tempo bringing things…

Posted on: January 11, 2020 Posted by: Sargeant Comments: 0

Aqua Seca “Don’t Care”

Aqua Seca calls back to the rock of the 1980s with their new single, Don’t Care. The song links together Big Country with Eddie Money. Down and dirty guitar lines united with psychedelic and progressive-inspired sludginess. The fact that no two segments of Don’t Care sound the same is astonishing on its own right, but listeners will be agog at how well the resulting composition sounds. Aqua Seca are so…

Posted on: January 11, 2020 Posted by: Sargeant Comments: 0

Izzy Ice “Cake Up”

Izzy Ice comes forth immediately on his new single Cake Up as an evolutionary step forward of DMX, Big Joe and Xhibit. Tons of swagger blend nicely with a robust backing beat to tattoo Cake Up deep into the minds and hearts of listeners. The production of this single ensures that Izzy Ice should garner playlist and rotation play in 2020. II’s wordplay during this cut does more than tell…

Posted on: January 11, 2020 Posted by: Sargeant Comments: 0

twocolors x The Dead Daisies “Mexico”

During Mexico, twocolors and The Dead Daisies are able to make a slinky composition that call back to the early nineties. Luxurious electronic beats mesh well with a bit of rock that draws from INXS and U2. Mexico has a bit of current and contemporary EDM styling as a drop (around the 2:30 mark) unites the two sections of the track. The last 30 seconds of Mexico are kicked into…

Posted on: January 11, 2020 Posted by: Kim Muncie Comments: 0

“Moses” by Jonathan Emile

The last couple of years have been a great time for fans of acoustic pop music. From the United Kingdom to the United States and beyond, artists have been coming out of the woodwork with roots music of the most erudite variety, and although the new single “Moses” from Jonathan Emile might not qualify as being the most prolific acoustic song I’ve heard in the last year, it’s undeniably one…

Posted on: January 10, 2020 Posted by: Sargeant Comments: 0

Siobhan O’Brien – You Can’t Run Out of Love

While the titular opening to You Can’t Run Out of Love starts in a time-honored singer / songwriter style, Siobhan O’Brien immediately reaches into the stratosphere with The King’s Fool. Adopting traditional native American and country and western styles with a bit of Sheryl Crow, O’Brien has a hit on her hands. The Burger Song is a bit of 1960s rock with hints of Depeche Mode and The Pretenders. O’Brien…

Posted on: January 10, 2020 Posted by: Sargeant Comments: 0

Elise Lieberth – Invincible

Elise Lieberth begins her Invincible with “Forgive”, a powerful pop track that could easily garner airplay on CCR playlists. With considerable vocal depth, Lieberth is able to shine with each foray on her new album. Final Surrender showcases the considerable passion and devotion that she possesses. Adding more than just vocals but an additional layer of harmony on this pop/EDM cut, Elise has her fingers on the pulse of contemporary…

Posted on: January 10, 2020 Posted by: Sargeant Comments: 0

Lisa Bell – samples from “Back Seat”

Soft, careful, and with tremendous charisma, Lisa Bell is able to open up her Back Seat with aplomb. Couple that with the funk groove laid down during The Road is Always Longer, and fans will start to recognize the sheer depth to Bell’s performing persona. Always Chasing Darkness represents another chapter in Bell’s biography. Slowing things down, Bell keeps fans on the edges of their seat with each line that…

Posted on: January 9, 2020 Posted by: Sargeant Comments: 1

DownTown Mystic – “Better Day”

Better Day is the lead-off track from DownTown Mystic’s same-named new album (due out January 24th on Sha-La Music). Better Day is a track that could easily make it onto rock rotation in the early eighties as DownTown Mystic blends together hopeful vocals with laid-back guitars and on-point drumming. There’s a bit of an edge to Better Days that gradually reveals itself as Robert adopts a bit of the “Unmasked”-era…

Posted on: January 9, 2020 Posted by: Kim Muncie Comments: 0

Ian C. Bouras and Dion Abraham, Refractions of Sound

Slowly creeping out from behind the shadows of silence, we find the traces of an otherworldly melody in “Extemporization,” one of the eight songs comprising the new record from Ian C. Bouras and Dion Abraham, Refractions of Sound. Boldly venturing beyond limits that most artists would fearfully stick with, Bouras and Abraham explore the depths of the sonic universe without stripping away the personality from their colorful harmonics in songs like…

Posted on: January 7, 2020 Posted by: Sargeant Comments: 0

Ace Hardy – Catch Em All

Catch Em All is a hard-hitting track that will immediately draw listeners in with a booming, dark backing beat. Ace Hardy’s gritty vocals add an air of authenticity to his bars; the rapper’s ability to intersperse slower sections with a quicker patter keeps things interesting from the first line all the way until the end of the single. Hints of Killer Mike and I-20 are interspersed here, but Ace Hardy’s…

Posted on: January 4, 2020 Posted by: Sargeant Comments: 1

Kick 5000 feat. Supa Mega – For 6

Carol City is on the come up. Kick 5000’s For 6 is a confident and assertive track that shakes up a stale rap scene. With nods to performers like Rick Ross and Migos, Kick 5000 and Supa Mega are able to make a track that can work equally well on rotation as well as on the streets. The backing instrumentation on For 6 is equally deep, with hard-hitting, bass elements…

Posted on: January 3, 2020 Posted by: Sargeant Comments: 1

White Sun – Tantric Har

White Sun has crafted an engrossing composition with their new single, Tantric Har. Linking together tribal (e.g. Maori / Hawaiian) chanting with new age and world music approaches, White Sun tattoos the song’s melodies deep into listeners’ brains. Subtle changes to the synth line provide fans with enough fuel to make it the entirety of this eleven-plus minute arrangement. One needs to pay special attention to the 8/9-minute mark as…

Posted on: January 2, 2020 Posted by: Sargeant Comments: 0

Joe Coss & Liquid Phase – Bright Colors

Joe Coss and Liquid Phase are able to make a hopeful track in Bright Colors that draws upon the late-1980s output of Shiny Happy People-era R.E.M. and the B-52s. Coss’s vocals cede ground to guitars and piano, ensuring that the resulting single has a fullness to it that will stick with listeners long after the song ceases to play. While the song could easily slot into alternative / college rotation,…

Posted on: January 1, 2020 Posted by: Sargeant Comments: 0

Dejhare – Unbreakable

Trust My Love begins Unbreakable, Dejhare’s new album. The effort builds upon the strong late-nineties efforts from Madonna while incorporating hints of dubstep and world music. Time Is Everything slows things up, ensuring that listeners are able to see an entirely different facet to Dejhare’s music. The dynamic between the vocals and a thick bass line separates this single from the rest of the fare on Unbreakable. Stand by Me…

Posted on: January 1, 2020 Posted by: Sargeant Comments: 0

Sheldon Pickering – Blessed Assurance

This Is My Father’s World is a tremendously emotive composition that draws on traditional American compositions. An organic sound to this track bears considerable narrative components, a trend that is continued through the entirety of the album. I Need Thee Every Hour succeeds due to a number of distinct elements – strings and piano – that are able to be enjoyed as singular items just as they can be collected…

Posted on: January 1, 2020 Posted by: Sargeant Comments: 0

SirNature AlexZander – Hey Ms Sexie Thang

SirNature AlexZander is able to restore the glitz and glamour of the early nineties with his Hey Ms Sexie Thang. Authoritative vocals and considerable charisma ensure that listeners will inexorably make it out of the dance floor. Telling a story as well as adding further to the overall harmonies of the single, SirNature AlexZander establishes a cohesive and comprehensive sound to the lead single to his new album, “Southern Soul…