Author: John B. Moore

Posted on: December 11, 2019 Posted by: John B. Moore Comments: 0

Ben Lee – Quarter Century Classix (CD)

There’s something strangely comforting about ‘90s lo-fi Indie Pop stalwart Ben Lee turning to the songs of his louder contemporaries for his covers record. Though Lee is probably better known for the more accessible pop elements of that era’s alt rock music, he makes an inspired choice to take on songs by the likes of more distortion-laden bands like Sonic Youth, Fugazi and Dinosaur Jr. on Quarter Century Classix. The…

Posted on: December 6, 2019 Posted by: John B. Moore Comments: 0

Come On Up To The House: Women Sing Waits (Vinyl)

It’s sometimes taken for granted just how brilliant a songwriter Tom Waits is. The sky is blue, water is wet, and Waits can write a truly heartbreaking song. Maybe it’s the fact that he’s been making music for more than four decades; Maybe it’s that some just can’t get past his graveled vocals, but sometime all it takes is listening to a fresh take on his songs to realize just…

Posted on: December 3, 2019 Posted by: John B. Moore Comments: 2

The Beaumonts – This Is Austin

Drugs, sex, Jesus and a telecaster’s twang. That’s pretty much the Beaumont formula and hell, if it isn’t enough to make your whole goddamn day.   On their first live record, This Is Austin, recorded appropriately enough at Austin’s The White Horse, the five Lubbock cowboys turn in a monstrously hilarious best of compilation in front of a live audience. Whether it’s singing about Toby Keith (“Toby Keith is the…

Posted on: November 13, 2019 Posted by: John B. Moore Comments: 0

Juliana Hatfield – Sings The Police

Juliana Hatfield’s 2018 tribute to Olivia Newton-John, Juliana Hatfield Sings Olivia Newton-John (naturally), was as satisfying as it was unexpected. One of the most underrated singers of the ‘90s, Hatfield, turned her distinctively impassioned vocals on songs that for decades had become shorthand for ‘80s bubble gum pop for many cynical listeners and in doing so, was able to get across her genuine appreciation for songs that shaped her as…

Posted on: November 12, 2019 Posted by: John B. Moore Comments: 0

THE MAVERICKS – Play The Hits (CD)

Ah, the covers album. Once seen as little more than a stop gap until the band could pull together enough new material for a new album, lately, thanks to folks like Corb Lund and Ben Lee’s soon-to-be released record, cover albums seem to be moving towards a much more satisfying experimental phase (Americana Lund covering AC/DC, Indie stalwart Lee covering Fugazi, for example).  And while The Mavericks don’t venture too…

Posted on: November 6, 2019 Posted by: John B. Moore Comments: 0

THE MUFFS – No Holiday (CD)

Kim Shattuck, singer/guitarist for the shockingly underrated band The Muffs, died unexpectedly just weeks ago, after a two-year battle with ALS that many outside of her close circle were unaware of. She left a brilliant legacy, with half a dozen near-perfect pop punk records to her name, a dedicated fanbase and a slew of heartbroken, normally jaded music journalists who were charmed by their interactions with her over the years…

Posted on: November 6, 2019 Posted by: John B. Moore Comments: 0

Disgraceland: Musicians Getting Away With Murder and Behaving Very Badly By Jake Brennan

It takes a real knack to retell a story that many have likely heard many times before and still manage to make it compelling. As listeners of the popular podcast Disgraceland have already figured out, Jake Brenan is that rare narrator who can. The true crime podcast focuses on musicians and those connected to them and the darkness that follows them usually connected to fame, drugs and sexual appetite, (but…

Posted on: November 5, 2019 Posted by: John B. Moore Comments: 0

The Lonesome Billies – Right On Time (Vinyl)

Who would have thought some of the best Outlaw Country-inspired music would be coming out of the Pacific Northwest? On Right On Time, their second LP and first since 2015, The Lonesome Billies pick up right where they left off, but with a little more groove this time around. Across a dozen tracks of twangy Telecaster riffs and a baritone that even Waylon Jennings would envy, The Lonesome Billies prove…

Posted on: October 30, 2019 Posted by: John B. Moore Comments: 0

Jake La Botz – They’re Coming For Me (CD)

If Dr. John grew up a punk rocker in the Midwest rather than in the jazz and funk clubs of voodoo-soaked New Orleans, chances are he’d sound a lot like Jake La Botz. On They’re Coming For Me, the Nashville, by way of Chicago, musician turns in a wildly eclectic, deeply satisfying gumbo of blues, funk, jazz and even snatches of rock. And despite being decades younger than the brilliant,…

Posted on: October 24, 2019 Posted by: John B. Moore Comments: 0

Daystar – The Complete Recordings (CD)

Nineteen-seventy’s power pop never sounded so good. Portland-based four piece Daystar may borrow inspiration liberally from bands like Big Star, Wings and Badfinger, but their songs still manage to smack of originality. The Complete Recordings is a masterclass in building, taking the foundation of some of the best post-Beatles bands to ever commit to wax and then erecting a wildly satisfying modern take on those sounds. Comprised of veterans of…