Milky Chance’s cover of “Tainted Love” inserts an absolutely infectious bass line into the mix. With a sultry, sexy set of vocals parlaying the lyrics, Milky Chance has made a play for considerable radio play as we move into the new year. There’s a coherence here that is hard to deny; listeners will be able to enjoy the constituent elements just as much as they can the whole composition. Fans…
“ As far as beats go, there’s never been a Harper Starling song that didn’t feature something worthwhile. In fact, for as gifted a singer as she is I actually think that Starling’s artistry is more reliant on percussive prowess in making a statement than it is her crooning abilities. It’s undeniable that her voice is the cherry in “Cannot Tell a Lie,” but between the enormous grooves in the…
Fault Lines is one amazing track. Listeners will be able to play it multiple times before hearing each and every nuance that Dave Vargo has placed within. While the vocals are front and center, listeners would do well to dig in deep to the interaction between the guitar and drums. The slower tempo of Fault Lines separates it from the rest of radio-rock music. We can hear hints of Aaron…
David Dalessio’s Before Tonight refreshes the synth-pop of the 1980s while impressing with soulful vocals. The dynamic between these vocals and the funky bass lines pushes each to an entirely new plateau. Each segment of Before Tonight will get listeners on their feet. We are enamored with the sizzling horns that gradually increase in prominence as Dalessio moves to the second half of the composition. No matter whether the individual…
Greg Hoy’s Spouses of the Lowly has a classic rock track that links together a bit of the mid-1960s surf rock with Elvis Costello tm create something infectious. The charisma of Hoy during this single will endear him to anyone listening in, while there’s a bit of angular guitar work that calls forward to Bloc Party and Queens of the Stone Age. Hoy’s latest has legs for days, with enough…
High contrast and low-fidelity, Andrew Reed & the Liberation’s music video for “Twisted World” is both visually enrapturing and sonically demanding of our attention, pushing the line between modern and old school post-punk conceptualism more than enough to be considered an instant classic. Reed slams us with layer upon layer of melodic noise, but at the heart of his performance exists a harmony as gilded as something out of The…
“But I want you to know / I’ll always be here / I’ve got nowhere to go / I’m just trying to be clear,” pleads Barry Muir in the ascent towards the climax of his new single “Weathered the Storm.” His words don’t have the desperation that might have with a different singer conveying them to the audience; he’s a man on a mission in this performance, and that mission…
Comprised of elements both synthetic and startlingly organic in nature, the clandestinely romantic “Earth and Air” immediately feels like an energized take on a classic Echo & the Bunnymen sound, but with a twist – it’s steeped in too much modernity to be a true throwback. Such is the case with the other dozen songs included in BD Gottfried’s new album Onion Doves, but this lead single perhaps encapsulates the motif…
Sometimes, in order to create fluidity in an exceptionally conceptual piece of music, you’ve got to utilize contrast a little more than the status quo calls for, and I think this is definitely true in the new extended play Equinox by Aquarius. Although it sports many of the same attributes a conventional rock record would – vocals, guitar, a sense of machismo coupled with a delicate songwriting pedigree – Equinox is an indie rock…
Minimalist ala “Care” and calculated in “Jump” and the clean-cut of “Cool,” there’s something rather efficient and cunning about the construction of most tracks in the new self-titled album from Whoop this season, which is quickly becoming one of my go-to alternative rock listens of the late year. URL: https://www.whooptheband.com/ Without sacrificing any of the melodic wit and detail that separates their sound from that of the masses in 2021,…
Big, loud, aggressive, and slightly industrious; Tarot Cat’s “Am I Dreaming” isn’t pulling any punches with the audience, and if you’re not careful, its oversized beats are almost certain to pummel you this autumn. Instead of hammering out a retro-punk anthem like a lot of their contemporaries have been, Tarot Cat is going a little more avant-garde with their style in this performance and making it more than clear where…
Dave Boone’s Alberta and the Dead Eyes has likely settled on its peak lineup. The original three piece of Boone, drummer Erik Washington, and bass player Bhuti Bhuti drafted Ashlan Ounanian into the band and the results are transformative. Ounanian’s lap steel and additional percussion extends the Dead Eyes’ musical reach without ever spinning the unit off into unfamiliar terrain. The resulting new album You Said Something features the band in fully-realized…
Husband and wife duo, Makar, have another cooler-than-you-think gem with their new Halloween-inspired hit, “Zombies Have Rights Too”. Or is it inspired by the undead? Perhaps a nefarious monster is behind the song, or maybe it’s presented as a nod to the folks that just don’t get the same attention or love as they deserve. The tight sound, the airy melodies and the quirky beat is what makes Makar oh-so-good. Makar,…
It’s been a little bit since we have had the opportunity to cover a dry herb vaporizer for the magazine. After a few months of experience with the Utillian we’re pretty familiar with the tool. The positives: The chamber is deceptively large. The device heats up in record time, with little more than 20-30 seconds required to get up to the proper temperature. The modular design of the Utillian 421…
What Pretty Embers may lack in lyrical dimension they make it up for in musical diversity. The songs written for their debut collection Under stand out thanks to a consistent voice sustaining them over the course of ten tracks. There are some key variations along the way, but the bulk of the band’s songs finds its narrators mired in several degrees of self-loathing. Lead singer Kameron Mitchell does, to his credit, perform…
Instruments are a direct reflection of their players. The miles they travel, the stories they tell, the emotions they come to embody through the songs a musician would compose; in an instrument as incredibly identifiable and culturally significant as the electric guitar, it can be said that there’s little separation between the identity of the strings and that of the artist who strung them. For photographer Lisa Johnson, capturing the…
It is a painful truism of art, in all its forms, that pain often provokes us to create. We won’t discuss the many reasons why. The relevant reason when discussing Abbreviations’ new album ABBV is Ashley Leer’s need to process the news that her dad, save some sort of miracle, would die soon. The predictable response may be to write about an album about her relationship with her father, but Leer isn’t…
Vineet’s recent successful run of singles continues with his new track “Hurry”. It’s his first attempt within the adult contemporary genre and Vineet proves he more than has the necessary chops for this music. It requires vocal control, emotive skill, and perfect balance between the singing and musical arrangement, among less obvious demands. He meets the style’s requirements without much apparent effort. “Hurry” has limited instrumental components. Synthesizers and pre-programmed…
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Understated but never under experienced, Jon Patrick Walker makes it easy to revel in his songwriting majesty in the new album, The Rented Tuxedo and Other Songs. His rousing mix of Americana-roots is crisp, with seductive harmonies and guitar (steel, sitar and more) crinkled into the arrangements. Discovering that each song is a chapter unto its own, Walker pulls the story together with a mesmerizing voice. He’s the string that pulls it…