Author: Kim Muncie

Posted on: August 20, 2020 Posted by: Kim Muncie Comments: 0

Danish Singer releases new Single/Video

Where does music take you? Does it lift your spirits? Does it motivate you to finish that last 20 minute cardio workout? In the new song “Relationship” from the wonderful singer/songwriter Arina Mai, this petite-sounding singer fills in the void of doubt and reveals more about her inner beauty to her listeners. URL: https://www.arinamai.com/ Mai, who is based in Denmark, first came to my attention with her KP Larsen-produced track…

Posted on: August 16, 2020 Posted by: Kim Muncie Comments: 0

Gary Burk III’s “Two Lane Airplane”

Comprised primarily of some electrified string play, delicate piano keys, a profoundly crisp beat and honeysweet vocals that have our attention from the start, Gary Burk III’s “Two Lane Airplane” isn’t the most fanciful country song I’ve heard in 2020. It isn’t featuring any grandiose fat on its bassline, nor does it have a sizzling lead guitar part that puts it into metallic, stadium-shaking territory. For the better part of…

Posted on: August 13, 2020 Posted by: Kim Muncie Comments: 0

“Insane” (EP) by Tom Tikka and the Missing Hubcaps

Blistering electric guitars meet warm lead vocals, honest harmonies and more than a couple of slick beats in songs like “Summer Means New Love,” “Good Ol’ Stupid Me” and “Sweet Sugar,” but even in the slow song “Dismal Day” and its easy-going counterpart in “Driving Me Insane,” there’s scarcely a moment in which Tom Tikka & The Missing Hubcaps don’t sound on-point in their new EP Insane. Mixing together elements of…

Posted on: August 10, 2020 Posted by: Kim Muncie Comments: 0

Live from Lockdown, the Streaking in Tongues’ 2020

Live records present us with a different dimension of an artist, and in some cases, a level of appreciation for their craft that wouldn’t have been possible in a more typical setting. In Live from Lockdown, the Streaking in Tongues’ 2020 installment in their growing discography or pure indie gems, the father-son pairing give us access to some of their most revered compositions through a dynamic real-time performance that binds all…

Posted on: August 8, 2020 Posted by: Kim Muncie Comments: 0

Singer/Songwriter Daniel Tortoledo’s Through out These Years LP

An essential agent of evocation in most any pop/rock effort, there’s no understating what a quality guitar part can contribute to an album as homespun as Daniel Tortoledo’s Through out These Years, and in songs like “Give Me Soul” or “Eloise,” it’s as important as any lyric ever could be. There aren’t a lot of cosmetic frills in Through out These Years, nor are there any attempts on the part of singer/songwriter…

Posted on: August 6, 2020 Posted by: Kim Muncie Comments: 0

Glorybots’ release new LP Invisible

Though guitars are frequently a centerpiece in any given rock album, they take on a special role in the songs found on Glorybots’ new LP Invisible that shapes not only the tone of the music, but the very lens through which we interpret it. In songs like the record-opening “Blepharospasm” and swinging “Radiate,” the riffs serve as a direct extension of the lead vocal in expressing the complete depth of emotion behind…

Posted on: August 5, 2020 Posted by: Kim Muncie Comments: 0

308 Ghost Train’s “Bleed Over Me”

“I’ve been tangled in this love affair somewhere in my mind / And when I see you, I’m at a loss – words I cannot find” we’re told by a soft, bittersweet vocal in the first couple of lines in 308 Ghost Train’s “Bleed Over Me.” As poetically endearing as these verses are, they’re just a limited preview of what’s about to come roaring out of the stereo in the…

Posted on: July 30, 2020 Posted by: Kim Muncie Comments: 0

Russ Still and the Moonshiners’ “Cancun”

Coming at us with a hot and heavy rhythm that could make just about anyone feel like dancing, there’s no debate as to whether or not the swing in Russ Still and the Moonshiners’ “Cancun” is the fieriest feature this hybrid single has to offer. Right out of the gate, there’s nothing in the mix to stop Still and his backing band from dishing out one magnetizing groove after another,…

Posted on: July 29, 2020 Posted by: Kim Muncie Comments: 0

Rich Lindo’s new single “Jungle”

A vocal, good or bad, is inevitably what defines a rap track more than anything else does, and this is especially true of a fierce number like Rich Lindo’s new single “Jungle.” Lindo doesn’t hide behind any sonic smokescreens in “Jungle;” he comes out swinging hard with a melodic intro that bleeds into the instrumentation rather seamlessly. His epic rapping doesn’t hit us until we get deeper into the track,…

Posted on: July 25, 2020 Posted by: Kim Muncie Comments: 0

Cinemartyr deliver a violent yin to their rookie album’s yang

In their scathing follow-up to 2016’s stunningly eclectic Uncaused, Cinemartyr deliver a violent yin to their rookie album’s yang that immediately left me spellbound and intrigued by their growth in the last four years. Titled Death of the First Person, Cinemartyr’s sophomore affair is hardly the typical sequel; from where I sit, it’s about as different from its predecessor as it gets without abandoning the core values of experimentalism that gave the…

Posted on: July 24, 2020 Posted by: Kim Muncie Comments: 0

Jim Lord’s latest single “Little Star”

Jim Lord’s latest single is a lullaby for the ages. Playing on the words from “Twinkle Twinkle Little Star” and arrangement, Lord’s song “Little Star” has the artist gazing afar of the love of his life and what that person means to him. Humming his way to your heart, Lord’s simplistic approach of his voice and an acoustic guitar orbits above Earth. FACEBOOK: https://www.facebook.com/JimLordSingerSongwriter/ Born in New Jersey, but based…

Posted on: July 24, 2020 Posted by: Kim Muncie Comments: 0

Brendan Staunton’s Last of the Light

Brendan Staunton began his musical journey in the early 1990’s singing with the Celtic influenced rock band Dubh Chapter. The band produced an album produced by Steve Hillage entitled Silence, Cunning & Exile but broke up soon after. Staunton briefly sang with the ambient dance band Ultramarine appearing on their track “Weird Gear” before deciding to leave the music industry behind. A quarter century passed before Staunton re-established contact with his past…

Posted on: July 22, 2020 Posted by: Kim Muncie Comments: 0

“Nothing to Lose” by pop singer/songwriter Johnnie Mikel

In his latest single, the playful “Nothing to Lose,” pop singer/songwriter Johnnie Mikel is exploring a strain of vocal showmanship more indebted to the conservative stylings of a bygone era than it is anything in the grandiose-filled modern genre, but I wouldn’t call it a total throwback. Right out of the gate, this song has a bounciness that it expounds through much more than a fluid drumbeat; in all honesty,…

Posted on: July 11, 2020 Posted by: Kim Muncie Comments: 0

Clouded LP by Les Nuby

Armed with a chugging guitar riff and a slick rhythm straight out of the American pop/rock playbook, “Know What She Said” comes sliding out of the speakers as smoothly as a track can, emitting a sense of catharsis with every beat it unfurls. Les Nuby is pulling out the stops to make a big impression in this song, along with the nine others that join it in the new record Clouded, out everywhere…

Posted on: July 10, 2020 Posted by: Kim Muncie Comments: 0

Rolling With the Stones (single) by Wild Fire

Rolling out of the speakers with an angelic ease that is indebted as much to Hollywood glam as it is the bucolic balladry of an old school Nashville, the vocal harmony in Wild Fire’s “Rolling With the Stones” is reason enough to pick up this new track from the acclaimed crossover duo this summer. Blending country with strong pop aesthetics and a talent for conjuring up powerful hooks out of…

Posted on: July 7, 2020 Posted by: Kim Muncie Comments: 0

“No Be Mouth,” the new single from JTK (feat. Tunji)

Subtle in size but shapely enough to create an ominous rhythm beneath the surface of its stealthy verses, “No Be Mouth,” the new single from JTK (and featuring Tunji), doesn’t hold back from laying heavy grooves on us inside of a rather minimalistic packaging this summer. Swaggering but uninfluenced by the arrogant attitudes that have poisoned some of hip-hop’s most promising young voices, JTK is an efficiency king in this…

Posted on: July 7, 2020 Posted by: Kim Muncie Comments: 0

Self Made EP by Sprockets

Modern rock tracks never sounded this good – Las Vegas’ Sprockets grip on fast guitars and great lyrics in their new EP Self Made. Taking the energy from the streets and dazzle of the Vegas Strip and transfusing reverb into a fun rock vibe, Sprockets’ gamble pays off in all four tracks. Making up the band Sprockets are Brodie Knight (vocals, guitar), Dave Schwaller (bass guitar, vocals), Jesse Magana (lead…

Posted on: July 6, 2020 Posted by: Kim Muncie Comments: 0

The Brothers Union’s Pain and the Opposite LP

A tidal wave of beautifully overdriven riffage comes crashing into a vocal harmony as delicate as a strand of silk in one track, while another features glowing kaleidoscopic melodies that ride atop a smooth beat as though they were always meant to be joined in sonic matrimony. As indebted to the storm rock of Pelican as it is the vulnerability of Unknown Pleasures, The Brothers Union’s Pain and the Opposite is scarcely dull and consistently…

Posted on: July 6, 2020 Posted by: Kim Muncie Comments: 0

Too Bright to Fade Away EP by troubadour Reed Waddle

In his new 2-song EP, Too Bright to Fade Away, troubadour Reed Waddle experiments with elements of easygoing folk/rock and indie pop to forge a fantastic pair of ballads more than worth your time this summer. Both the title track in Too Bright to Fade Away and its counterpart in “Bells of Brooklyn” borrow a lot from the Bakersfield sound of the 1970’s, as well as a dose of tempered, Neil Young-style poeticisms,…

Posted on: July 2, 2020 Posted by: Kim Muncie Comments: 0

Paul Mark & the Van Dorens’ release “Gravity”

Blushing with a wintry melodicism that feels surprisingly appropriate this June, Paul Mark & the Van Dorens’ “December at the P.O.” has an aching compositional integrity that essentially comes standard on the album Gravity, currently out everywhere quality indie music is sold and streamed. Armed with Mark’s trademark poetry and a glowing piano as sterling as that of “I Spin When You Grin,” “December at the P.O.” is rightly the closing…